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Portfolio Graphic Design & Branding

A coll­ec­tion of visu­al iden­ti­ties, print mate­ri­als, digi­tal assets, and brand con­cepts crea­ted for a varie­ty of pro­jects across indus­tries. This sec­tion show­ca­ses my approach to visu­al storytelling—combining cla­ri­ty, func­tion­a­li­ty, and aes­the­tics to build strong, con­sis­tent brands and enga­ging design solu­ti­ons. From con­cept deve­lo­p­ment to final deli­very, each pie­ce reflects a tail­o­red respon­se to the uni­que needs of the cli­ent and the audi­ence.

Show Pro­jects

Made in Austria IndustriePANEL (2021–now)

Visu­al Iden­ti­ty · Gra­phic Design · Event Pho­to­gra­phy

Sin­ce 2023, I have been the crea­ti­ve lead for the Made in Aus­tria Indus­trie­PA­NEL: Zukunft Pro­duk­ti­ons­ar­beit Österreich—an annu­al rese­arch initia­ti­ve explo­ring the cur­rent sta­te and future of indus­tri­al pro­duc­tion in Aus­tria. Con­duc­ted by the Insti­tu­te of Manage­ment Sci­ence at TU Wien in col­la­bo­ra­ti­on with Fraun­ho­fer Aus­tria, FHWi­en der WKW, EIT Manu­fac­tu­ring East, and the Metal­tech­no­lo­gy Indus­try Asso­cia­ti­on (FMTI), the panel gathers insights from over 100 repre­sen­ta­ti­ves of Aus­tri­an indus­tri­al com­pa­nies.

My respon­si­bi­li­ties include the deve­lo­p­ment and ongo­ing refi­ne­ment of the visu­al iden­ti­ty, encom­pas­sing all gra­phic design across digi­tal and print for­mats. Each year, I ensu­re that com­plex the­mes such as digi­ta­li­sa­ti­on, the EU AI Act, cir­cu­lar eco­no­my, and evol­ving work models are com­mu­ni­ca­ted cle­ar­ly and cohe­si­ve­ly through strong visu­al sto­rytel­ling. In addi­ti­on to design, I am also the main event pho­to­grapher for the annu­al Indus­trie­FO­RUM at TU Wien, cap­tu­ring key­note spea­k­ers, dis­cus­sions, and the dyna­mic atmo­sphe­re of the event.

EU.FFICIENT Consortium / European Commission (Horizon Europe)

Visu­al Iden­ti­ty · Print Design · Ani­ma­ted Video Pro­duc­tion & Inter­views · Com­mu­ni­ca­ti­on Lead

EU.FFICIENT is a Hori­zon Euro­pe initia­ti­ve rede­fi­ning co-crea­ti­on prac­ti­ces across sec­tors by buil­ding dyna­mic Com­mu­ni­ties of Expert Faci­li­ta­tors. As the pro­jec­t’s Com­mu­ni­ca­ti­on Lead, I am respon­si­ble for sha­ping and gui­ding the com­mu­ni­ca­ti­on stra­tegy, ensu­ring con­sis­ten­cy, cla­ri­ty, and enga­ge­ment across all chan­nels and stake­hol­der groups.My crea­ti­ve respon­si­bi­li­ties include the full deve­lo­p­ment of the visu­al iden­ti­ty, as well as the design and pro­duc­tion of vide­os, pre­sen­ta­ti­ons, info­gra­phics, and all pro­mo­tio­nal materials—both digi­tal and print. The visu­al lan­guage is desi­gned to reflect the project’s values: cross-sec­tor col­la­bo­ra­ti­on, inno­va­ti­on, and inclu­si­vi­ty.

Working along­side a diver­se inter­na­tio­nal consortium—spanning aca­de­mia, indus­try, and the public sector—I lead efforts to visual­ly com­mu­ni­ca­te the project’s visi­on of empowe­ring over 8,000 Expert Faci­li­ta­tors across Euro­pe by 2030. My work sup­ports key mile­sto­nes, inclu­ding plat­form laun­ches, the­ma­tic com­mu­ni­ty roll­outs, and stake­hol­der enga­ge­ment acti­vi­ties across 18 EU Mem­ber Sta­tes and Widening Count­ries.

Art of Making Podcast (2024–ongoing)

Visu­al Iden­ti­ty · Co-Pro­duc­tion · Audio/Video Editing · Moti­on Design

Art of Making is a pod­cast series by EIT Manu­fac­tu­ring that explo­res the future of the Euro­pean manu­fac­tu­ring indus­try through in-depth inter­views, expert insights, and inspi­ring entre­pre­neu­ri­al sto­ries. As a visu­al iden­ti­ty desi­gner, co-pro­du­cer, and edi­tor, I play­ed a cen­tral role in sha­ping the podcast’s crea­ti­ve and tech­ni­cal out­put.

My respon­si­bi­li­ties included the deve­lo­p­ment of a distinc­ti­ve visu­al iden­ti­ty that reflects the inno­va­ti­ve and for­ward-loo­king spi­rit of the pod­cast, span­ning cover art­work, social media assets, and pro­mo­tio­nal mate­ri­als. In addi­ti­on to design, I con­tri­bu­ted as a co-pro­du­cer, sup­port­ing the crea­ti­ve direc­tion and con­tent deve­lo­p­ment.

Manufacturing Day 2025

Visu­al Iden­ti­ty · Pro­mo­ti­on · Event Co-Orga­ni­sa­ti­on · Video Pro­duc­tion

Manu­fac­tu­ring Day 2025, part of ViennaUP, Europe’s lar­gest decen­tra­li­sed start­up fes­ti­val, mark­ed the fifth anni­ver­sa­ry of this flag­ship event cele­bra­ting inno­va­ti­on in the Euro­pean manu­fac­tu­ring eco­sys­tem. With over 500 par­ti­ci­pan­ts from more than 40 count­ries, the event brought tog­e­ther start­ups, indus­tri­al lea­ders, inves­tors, rese­ar­chers, and poli­cy-makers under the the­me: “Col­la­bo­ra­te to Inno­va­te.”

For this edi­ti­on, I was respon­si­ble for the com­ple­te visu­al iden­ti­ty and crea­ti­ve direc­tion, cove­ring all digi­tal and print materials—from social media cam­paigns and web­site assets to stage visu­als, signage, event col­la­te­ral, and pre­sen­ta­ti­on tem­pla­tes. My work ensu­red a con­sis­tent and impactful brand pre­sence across every touch­point. As part of the core orga­ni­s­ing team, I sup­port­ed the event’s plan­ning and exe­cu­ti­on, from pro­gram­me deve­lo­p­ment to on-site logi­stics.

Twin City Future Innovation Manufacturing Hub (2024–2027)

Visu­al Iden­ti­ty · Print Design · Video Pro­duc­tion

2C FIMH is a cross-bor­der initia­ti­ve co-finan­ced by the Euro­pean Regio­nal Deve­lo­p­ment Fund (ERDF), aiming to streng­then inno­va­ti­on in the manu­fac­tu­ring sec­tor across Vien­na and Bra­tis­la­va. The pro­ject deve­lo­ps poli­cy recom­men­da­ti­ons for a trans­na­tio­nal inno­va­ti­on stra­tegy and lays the ground­work for the estab­lish­ment of a bina­tio­nal inno­va­ti­on hub to fos­ter col­la­bo­ra­ti­on bet­ween aca­de­mia, indus­try, and startups.For this stra­te­gic initia­ti­ve, I was respon­si­ble for the full visu­al iden­ti­ty deve­lo­p­ment, inclu­ding logo design, colour palet­te, typo­gra­phy, and gra­phic gui­de­lines tail­o­red for mul­ti­l­in­gu­al use and cross-cul­tu­ral rele­van­ce. I also crea­ted all print mate­ri­als, such as bro­chu­res, roll-ups, fly­ers, facts­heets, and part­ner docu­men­ta­ti­on, ensu­ring visu­al con­sis­ten­cy across pro­ject com­mu­ni­ca­ti­ons. Addi­tio­nal­ly, I con­duc­ted and pro­du­ced video inter­views with pro­ject part­ners, cap­tu­ring per­spec­ti­ves from insti­tu­ti­ons such as TU Bra­tis­la­va, Accent Incu­ba­tor, SAPIE, and Indus­try Meets Makers. The­se recor­dings form part of the pro­jec­t’s digi­tal sto­rytel­ling and stake­hol­der enga­ge­ment stra­tegy, hel­ping com­mu­ni­ca­te the impact and visi­on of the Twin City Hub to a wider audi­ence.

10 Leadership Lessons Nobody Will Teach You!

Book Design · Pho­to­gra­phy · Visu­al Sto­rytel­ling

In “10 Lea­der­ship Les­sons Nobo­dy Will Teach You!”, indus­try expert Han­nes Hun­schofs­ky shares per­so­nal insights and uncon­ven­tio­nal truths about leadership—lessons that are rare­ly found in text­books but are cri­ti­cal for anyo­ne stri­ving to beco­me a bet­ter lea­der. For this publi­ca­ti­on, I was respon­si­ble for the com­ple­te book design and pho­to­gra­phy, sha­ping the visu­al nar­ra­ti­ve to com­ple­ment and enhan­ce the author’s expe­ri­ence-based sto­rytel­ling. My work included lay­out design, typo­gra­phy, cover and chap­ter visu­als, as well as the crea­ti­on of a cohe­si­ve visu­al tone that sup­ports the book’s prac­ti­cal, yet reflec­ti­ve con­tent. I also con­tri­bu­ted ori­gi­nal pho­to­gra­phy, cap­tu­ring both con­cep­tu­al and por­trait imagery to ali­gn with the key themes—resilience, decis­i­on-making, vul­nerabi­li­ty, and even lea­der­ship les­sons inspi­red by dogs. The visu­als hel­ped crea­te an acces­si­ble, enga­ging, and pro­fes­sio­nal rea­ding expe­ri­ence for both aspi­ring and sea­so­ned lea­ders.

ICARO‑4 – International Conference on Advances in Radiation Oncology (2025)

Visu­al Iden­ti­ty · Print Design · Ani­ma­ted Video Pro­duc­tion

ICARO‑4, orga­nis­ed by the IAEA, will take place in Vien­na and bring tog­e­ther glo­bal experts in radia­ti­on onco­lo­gy, medi­cal phy­sics, and radia­ti­on bio­lo­gy to address the latest advance­ments and pres­sing chal­lenges in can­cer tre­at­ment. Buil­ding on the lega­cy of pre­vious edi­ti­ons, the 2025 con­fe­rence will focus on equi­ta­ble access to high-qua­li­ty radio­the­ra­py, emer­ging tech­no­lo­gies, and inter­na­tio­nal know­ledge exch­an­ge. For this major inter­na­tio­nal event, I deve­lo­ped the com­ple­te visu­al iden­ti­ty, inclu­ding: • Core bran­ding and design sys­tem • Print mate­ri­als such as bro­chu­res, roll-ups, agen­das, and spea­k­er cards • Pro­mo­tio­nal ani­ma­ted vide­os sup­port­ing event awa­re­ness and the Vir­tu­al Obser­ver cam­paign • Gra­phics for web, social media, and par­ti­ci­pant com­mu­ni­ca­ti­on The visu­al con­cept was desi­gned to reflect the pre­cis­i­on and inno­va­ti­on of modern radio­the­ra­py, while remai­ning acces­si­ble and glo­bal­ly inclu­si­ve for a diver­se medi­cal audi­ence. With ICARO‑4 set to wel­co­me par­ti­ci­pan­ts both in per­son and online, the design mate­ri­als sup­port clear com­mu­ni­ca­ti­on, visu­al con­sis­ten­cy, and a high-impact con­fe­rence pre­sence.

IAEA IPET-2024 Conference

Visu­al Iden­ti­ty · Print & Digi­tal Design · Ani­ma­ted Video Pro­duc­tion

IPET-2024 – Inter­na­tio­nal Con­fe­rence on Hybrid Ima­ging, orga­nis­ed by the Inter­na­tio­nal Ato­mic Ener­gy Agen­cy, con­ti­nues a long-stan­ding series of glo­bal con­fe­ren­ces focu­sed on advan­cing nuclear medi­ci­ne and dia­gno­stic ima­ging. Buil­ding on the lega­cy of IPET 2007, 2011, 2015, and 2020, this edi­ti­on high­lights the essen­ti­al role of hybrid imaging—especially SPECT-CT, PET-CT, and PET-MR—in the era of per­so­na­li­sed medi­ci­ne. For IPET-2024, I was respon­si­ble for the com­ple­te visu­al iden­ti­ty, cove­ring both print and digi­tal mate­ri­als across the enti­re event life­cy­cle. This included bran­ding, con­fe­rence pro­gram­mes, sci­en­ti­fic pos­ters, ses­si­on tem­pla­tes, social media visu­als, on-site signage, and all par­ti­ci­pant-facing mate­ri­als. The visu­al sys­tem was desi­gned to reflect the con­fe­ren­ce’s tech­no­lo­gi­cal sophisti­ca­ti­on, cli­ni­cal pre­cis­i­on, and glo­bal impact. In addi­ti­on, I co-pro­du­ced the ani­ma­ted pro­mo­tio­nal video, intro­du­cing the con­fe­rence the­mes and invi­ting par­ti­ci­pan­ts from across the medi­cal ima­ging com­mu­ni­ty. The ani­ma­ti­on was used in mar­ke­ting cam­paigns and during the even­t’s ope­ning ses­si­ons. My design and pro­duc­tion work sup­port­ed a mul­ti­di­sci­pli­na­ry con­fe­rence aimed at cli­ni­ci­ans, radio­lo­gists, nuclear medi­ci­ne phy­si­ci­ans, and health pro­fes­sio­nals, with ses­si­ons cove­ring can­cer care, paed­ia­tric ima­ging, radio­phar­maceu­ti­cal the­ra­py, ethics, edu­ca­ti­on, and pati­ent advo­ca­cy.

IAEA IPET-2020 Conference

Visu­al Iden­ti­ty · Event Design · Vir­tu­al Expe­ri­ence · Video Pro­duc­tion

Orga­nis­ed by the Inter­na­tio­nal Ato­mic Ener­gy Agen­cy, the Inter­na­tio­nal Con­fe­rence on Mole­cu­lar Ima­ging and Cli­ni­cal PET–CT in the Era of Ther­ano­stics (IPET-2020) brought tog­e­ther glo­bal experts in Nuclear Medi­ci­ne, Dia­gno­stic Ima­ging, and Ther­ano­stics for a ful­ly vir­tu­al edi­ti­on of this renow­ned event series. As part of the core crea­ti­ve and orga­ni­sa­tio­nal team, I was respon­si­ble for the deve­lo­p­ment of the conference’s visu­al iden­ti­ty, inclu­ding all print and digi­tal mate­ri­als, ensu­ring con­sis­ten­cy across pro­gram­mes, spea­k­er visu­als, sci­en­ti­fic pos­ters, and ses­si­on assets. I also co-pro­du­ced the ani­ma­ted pro­mo­tio­nal video and led the crea­ti­on of vir­tu­al booths and inter­ac­ti­ve par­ti­ci­pant expe­ri­en­ces, hel­ping trans­la­te the depth and pro­fes­sio­na­lism of an inter­na­tio­nal sci­en­ti­fic con­fe­rence into a seam­less online envi­ron­ment. In addi­ti­on to design and pro­duc­tion, I actively sup­port­ed co-orga­ni­sa­ti­on tasks, working clo­se­ly with IAEA teams and part­ners to ensu­re a smooth exe­cu­ti­on of this lar­ge-sca­le event, which fea­tured 20 ses­si­ons, 40+ spea­k­ers, and 1,000+ minu­tes of con­tent. IPET-2020 focu­sed on cli­ni­cal appli­ca­ti­ons in are­as such as pro­sta­te, breast, lung, thy­ro­id, lym­pho­ma, and paed­ia­tric can­cers, show­ca­sing cut­ting-edge inno­va­ti­on in medi­cal ima­ging and Ther­ano­stics.

Zodiac: Zoonotic Disease Integrated Action (2020–ongoing)

The­me Deve­lo­p­ment · Print Design

Laun­ched in respon­se to the COVID-19 pan­de­mic, ZODIAC (Zoo­no­tic Dise­a­se Inte­gra­ted Action) is a glo­bal initia­ti­ve by the IAEA to help Mem­ber Sta­tes detect, moni­tor, and respond to zoo­no­tic dise­a­se out­breaks using advan­ced nuclear and mole­cu­lar tech­no­lo­gies. The pro­gram­me sup­ports coor­di­na­ted rese­arch, cross-sec­to­ral trai­ning, and inter­na­tio­nal col­la­bo­ra­ti­on under the One Health frame­work. For this high-impact initia­ti­ve, I deve­lo­ped the main visu­al the­me to com­mu­ni­ca­te ZODIAC’s sci­en­ti­fic and poli­cy-ori­en­ted focus. This included the design and pro­duc­tion of bro­chu­res and prin­ted com­mu­ni­ca­ti­on mate­ri­als, aimed at a diver­se audi­ence ran­ging from poli­cy­ma­kers and health offi­ci­als to sci­en­tists and part­ner orga­ni­sa­ti­ons. The visu­al con­cept was craf­ted to reflect the inte­gra­ted and col­la­bo­ra­ti­ve natu­re of the initia­ti­ve, bridging vete­ri­na­ry sci­ence, public health, and nuclear rese­arch. My work sup­port­ed the project’s mis­si­on to rai­se awa­re­ness, pro­mo­te glo­bal rea­di­ness, and streng­then sci­en­ti­fic capa­ci­ty in the face of emer­ging zoo­no­tic thre­ats.

DATA4CIRC (2024–ongoing)

Visu­al Iden­ti­ty · UI/UX Design · Digi­tal Bran­ding

DATA4CIRC is an ambi­tious Hori­zon Euro­pe pro­ject deve­lo­ping a fede­ra­ted data-sha­ring frame­work to advan­ce cir­cu­lar eco­no­my prac­ti­ces in Euro­pean manu­fac­tu­ring. The initia­ti­ve focu­ses on enhan­cing mate­ri­al tracea­bi­li­ty, enab­ling secu­re data exch­an­ge, and using AI-powered life-cycle assess­ments to sup­port sus­tainable decis­i­ons in sec­tors such as agri­cul­tu­ral pla­s­tics, elec­tro­nics, and the auto­mo­ti­ve indus­try. As the pro­jec­t’s visu­al iden­ti­ty desi­gner, I was respon­si­ble for crea­ting the com­ple­te brand sys­tem, inclu­ding logos, colour palet­tes, typo­gra­phy, ico­no­gra­phy, and visu­al gui­de­lines tail­o­red for both print and digi­tal use. I also desi­gned a com­pre­hen­si­ve UX/UI mock­up for the project’s web­site using Ado­be XD, deli­ve­ring a clear and func­tion­al user jour­ney to gui­de exter­nal deve­lo­pers in its imple­men­ta­ti­on. My design work ensu­res visu­al cla­ri­ty and con­sis­ten­cy across all com­mu­ni­ca­ti­on chan­nels, while sup­port­ing the project’s mis­si­on to pro­mo­te inter­ope­ra­bi­li­ty, data secu­ri­ty, and work­force ups­kil­ling for a cir­cu­lar future.

Data Bites: Insights into Industrial Data Science (2024)

Visu­al Iden­ti­ty · Pro­mo­tio­nal Design · Event Bran­ding

Data Bites is a web­i­nar series hos­ted by EIT Manu­fac­tu­ring East, desi­gned to deli­ver expert insights into Indus­tri­al Data Sci­ence in a com­pact, acces­si­ble for­mat. Focu­sed on topics such as pre­dic­ti­ve main­ten­an­ce, AI-enhan­ced sys­tems, and data-dri­ven opti­mi­sa­ti­on in manu­fac­tu­ring, the series aims to empower par­ti­ci­pan­ts with actionable know­ledge during their lunch break. For this pro­ject, I crea­ted the enti­re visu­al iden­ti­ty, estab­li­shing a distinc­ti­ve and enga­ging look and feel that reflects the con­cept of brea­king down com­plex indus­tri­al topics into “bite-sized” know­ledge. My work included the design and roll­out of a com­pre­hen­si­ve pro­mo­tio­nal packa­ge, cove­ring digi­tal fly­ers, social media assets, email visu­als, pre­sen­ta­ti­on tem­pla­tes, and web­i­nar gra­phics. The visu­al con­cept balan­ced tech­ni­cal cla­ri­ty with an invi­ting, approacha­ble tone to attract a broad pro­fes­sio­nal audi­ence. It sup­port­ed the even­t’s goal of making advan­ced data sci­ence con­cepts diges­ti­ble for both tech­ni­cal experts and non-spe­cia­list stake­hol­ders.

Others

With a mul­ti­di­sci­pli­na­ry approach and a strong eye for detail, I crea­te cohe­si­ve visu­al expe­ri­en­ces that span across print, digi­tal, and moti­on design. Whe­ther deve­lo­ping visu­al iden­ti­ties, desig­ning enga­ging com­mu­ni­ca­ti­on mate­ri­als, or pro­du­cing ani­ma­ted con­tent, my work is roo­ted in cla­ri­ty, con­sis­ten­cy, and crea­ti­vi­ty. I’m com­for­ta­ble navi­ga­ting com­plex topics and trans­la­ting them into acces­si­ble, visual­ly com­pel­ling formats—be it for inter­na­tio­nal con­fe­ren­ces, stra­te­gic publi­ca­ti­ons, or inno­va­ti­on-dri­ven cam­paigns. From con­cept to exe­cu­ti­on, I thri­ve in cross-func­tion­al envi­ron­ments and enjoy col­la­bo­ra­ting with diver­se teams to bring ide­as to life and ensu­re that every visu­al ele­ment sup­ports a broa­der nar­ra­ti­ve and pur­pos.

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